Millions of players. Millions of winners. Thousands of good causes. One brand making extraordinary happen for everyone.
First created in London, Effra is a typically British typeface, giving it the ideal origin story for the brand. To ensure it feels even more fitting for us, it has been further customised to give The National Lottery a unique, personalised voice.
Clean, versatile and modern, it provides the perfect foundation to express the brand in interesting and characterful ways.
Alongside the use of upper and lowercase, we use a range of weights to help provide hierarchy to our messaging. Try not to use uppercase too often though - we're not ones to shout. Oh, and while we're the laying ground rules: no italics, please.
Great for attention-grabbing headers and big numbers.
Great for body copy and alongside imagery.
TNL Effra
Light
For longer chunks of text, this should be your go-to.
15% less than the font size.
-2.5% of the font size.
Optical
UPPERCASE
EXAMPLE
01
UPPERCASE
EXAMPLE
01
Font size:
80
Line height:
68
Letter spacing:
-2.0
Tracking:
-20
UPPERCASE EXAMPLE 02
UPPERCASE EXAMPLE 02
Font size:
42
Line height:
36
Letter spacing:
-1.1
Tracking:
-11
UPPERCASE EXAMPLE 03
Font size:
28
Line height:
24
Letter spacing:
-0.7
Tracking:
-7
5% less than the font size.
0.5% of the font size.
Optical
Font size:
56
Line height:
53
Letter spacing:
0.28
Tracking:
2.8
Lowercase
example 02
Font size:
34
Line height:
32
Letter spacing:
0.17
Tracking:
1.7
Lowercase
example 03
Font size:
24
Line height:
23
Letter spacing:
0.12
Tracking:
1.2
To create engaging, easy-to-read and impactful layouts, using a variety of different weights, cases and sizes. Here are some examples to get you going.
EXAMPLE 01
Secondary line
Example 02
SECONDARY LINE
For consistency and to ensure we meet AA accessibility guidelines, stick with these colour combinations.
We never use black unless needed for printing in B&W.
When using alongside imagery, keep typography to areas of clear space to boost legibility and let the image shine.
In general, avoid using type & imagery together on responsive websites, as it's hard to stop type and imagery blocking one another.
Across the brand and all games, we've created a range of extruded type treatments to drive distinctiveness and personality. We use them primarily when our messaging really needs to stand out e.g. jackpots and events.
There are two versions of the extruded type for different occasions. When type is static, use the more detailed version. When using live text - or in busy environments - use the simplified version.
The use of extrusion for live text on owned channels is currently in feasibility testing - watch this space for more.
Created by extruding your type at a 45° angle to the bottom-right of the canvas.
Extruded type is made to stand out, right at the top of the messaging hierarchy. As a result, it needs to be used wisely - avoiding using it alongside other elements such as imagery wherever possible.
Don’t combine with photography
Don’t make the extrusion a secondary message
Don’t crop extrusions
Don’t use multiple font weights
Find more examples of how assets come to life at the 'System in Action’.
To see more examples of how the
assets come to life see the
‘system in action’ page.